Photographer Fabrizio Mingarelli was born and raised in Italy, and is currently based in Rome where he studies architecture. His passion for the camera began at the age of 14 when his parents bought him a “useless kodak compact”, but that didn’t stop him from from developing a love for the end result: a photo. Mingarelli plays with his photos, be it a lighter or photoshop, to find ways to manipulate colors in order to have a “universe” effect. See his 35MM, digital, and polaroid work after the jump.
Artist Feature: Fabrizio Mingarelli
Architectural Photography From Erin Fitzsimmons
Erin Fitzsimmons is a Vancouver and Toronto based photographer currently working in Asia around the ideas of urban and rural density, as well as the density of visual information. His background in architectural photography is showcased through stunning shots taken in the ghost city of Ordos, China, Shanghai, and Chongqing. The images shown here are from the 2011 Sendai Bay Project showing the slow and painful clean up of the tsunami ravaged area, focusing on the odd structures left standing in an almost moon like landscape.
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Artist Feature: Catharine Maloney
When looking at Catharine Maloney’s work, you see a bit of album cover mixed with collage mixed with star trek-esque awkward family portraits. I doubt any of that was the goal, but it works nonetheless. And that’s the great thing about an artist like Catharine, you make it whatever you want it to be, because it’s odd, fun, and great all around. We had a quick chat with Catharine and found out some extremely important details. Your basic info: She is from Austin, grew up in San Antonio, and moved to the east coast when she was 19. A little more personal info: She now lives half her time in Delaware in a big house with four boys and half the time in NYC in a small room with a humidifier. Random info: She has one white eyelash and her left ear is pointed at the top. Describing her work: “Childlike and repetitive. Candy colored and sloppy.” Now that you know all you need to know about the artist, and even things you didn’t need to know at all, you can read on to see some of Catharine Maloney’s childlike, repetitive, candy colored, sloppy goodness.
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An Interview With A Band We Love: RACES
Under favorable conditions, an EP can be considered a band’s prologue of sorts. In November of 2011, one such exordium was made available for examination. “Big Broom” was the initial body of work from Van Nuys sextet, RACES. Lending an ear to the story recounted by a band that essentially, was hurriedly assembled as an opening act by guitarist and lead vocalist Wade Ryff, turns out to be a solid investment. On March 27th, with the release of an LP entitled, Year of the Witch, dangling threads will be knotted, and the story complete. The choral spirits of Fleet Foxes and Other Lives are effectively interwoven with a strong bass presence, and Ryff’s vocal urgency incites speculation about what Dylan may have sounded like had he been born in late 80′s southern California. Ryff, Garth Herberg (guitar), Devon Lee (percussion/vox), Breanna Wood (piano/vox), Oliver Hild (bass/synth), and Lucas Ventura (drums/percussion) have brought to life a period piece about life as a twentysomething that manages not to be trite. Hardships, disappointment, and disillusionment peculiar to youth and inexperience are here. But, perhaps the biggest staple binding the work together are the moments of undeniable positivity. The songs contained within RACES’ Year of the Witch are chapters that evoke a sharp, real sense of the moments they depict. Its poignancy guarantees it a prominent position on a virtual bookshelf; a position familiar to those with questions, and those who have their answers. Read on for an interview with RACES.
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Photographer Feature: Ronen Goldman
Ronen Goldman is a surreal and conceptual photographer from Tel Aviv, Israel. For the past four years, he has been working on a project he calls “The Surrealistic Pillow Project.” They images are from reconstructing dreams Goldman had during a period of time that were made into visual creations. The resulting images are to convey “happiness, sadness, exhilaration or sheer paranoia – as dreams often do.” All photos were created at one location and in one session in order for all the lighting to be believable and realistic even when the situation is not. Read on for “The Surrealistic Pillow Project”.
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Morgan Evans Talks ‘The Untitled Webseries’
Web Series are all the buzz right now, which is a good thing because the buzz is good. Writers, comedians, and aspiring filmmakers are creating hilarious shorts that run together like full season sitcoms, in hopes of exposure, but also in hopes to become actual full season television sitcoms, or films. Mix together the previously mentioned writer, comedian, and filmmaker and you get Morgan Evans. He has directed and worked on some of our absolute favorite web series: Broad City, It Gets Betterish, and Missed Connection, so it was only natural (and lucky for us) for him to create his own. ‘The Untitled Webseries‘ is a fifteen-part video love letter from Morgan to us, the viewer. It’s about a potential deal Morgan might get with Paramount Pictures, and a slew of other things, i.e.: girlfriends, stand up, paranoia, and a serious love for movies and television. It’s a refreshing, funny, and honest web series that we highly recommend. Read on to enjoy and interview with Morgan and some insight behind ‘The Untitled Webseries’.














